Author Spotlight: Azure Boone and the MotherFugnWriters

I’ve mentioned my friend and critique partner, Azure Boone, several times here on the blog. I’ve told you she’s an amazing writer, and a wonderful person. Well, today, you get to meet the lady herself! I know you’ll be as crazy about her as I am. Please join me in welcoming Azure Boone, in her guise as the…

MOTHERFUGNWRITER!

Kenra: So, Azure, readers have to know – what the hell *is* a motherfugnwriter?

Azure: Well, it’s a title for the Mother and Wife Writer. The –fugn- part (which I’ve told my husband is German for love and pronounced few-gen, LOL) represents two things to me: that thing we do as “wives”, and the bad-ass women we actually ARE. The original phrase was “Mother Fucking Writer”. But, virgin ears and all….

Kenra: Let’s all hope Azure’s hubby never gets curious enough to look that word up! Or mention it to someone who knows German… Azure, what made you start motherfugnwriters?

Azure: Umm, well, mainly to form a cyber-place where mom/wife writers could relax and meet other women they could relate to. Motherfugnwriters often feel alone, despite having children. We’re behind the scenes doing all the necessary shit nobody else wants to do. I thought it would be nice to have a place where we could let our hair down – maybe even cuss a lot, since we play a saint all day long.

We talk about the things we don’t have anyone else to talk to about. Which is one of the reasons my posts are often of a “wifely/writerly” nature, as well as motherly.

Kenra: Tell us about this Zazzle store you’ve been burning the midnight oil to set up.

Azure: I create products that would make great gifts for writers – T-shirts, mugs, hats and shit with funny writer slogans that highlight the secret and alien life of Writers. So I decided to set them up in an online store.

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Kenra: What inspires your posts? Some of them are a bit… ahem… unique.

Azure: Gosh, my posts seem to be PMS inspired I think. Like a random stream of conscious, wherever my life takes me, that’s what’s getting posted. I usually keep it geared to Writing, which is easy, since it’s what I love doing and studying.

Kenra: What do you do in real life? What’s your day-in-the-life of a MFW?

Azure: Well it’s LOUD, for one thing. I have 8 kids, 9 if I count my grandson.  But don’t panic, 3 of them take care of themselves, so that leaves me with… err 5, sometimes 6. I home school 3, soon to be 4, of the 5 right now. The challenge, which I’ve kinda overcome, was juggling it all.

We all work together. My kids do laundry – yes, washing, drying, and folding – they do dishes, everything except mop the floors and clean the toilets, in fact.

Kenra: What 3 of your posts would you most like to share with readers here?

Azure: I’m partial to the last one I did, Killing The Erotic Muse, and I liked Getting Wet And Ready about getting in the mood… Oh, and I liked Naked Bare Back Muse Riders For Hire. I know, I love these wacky titles.

Kenra: Where else can we find you online?

Azure: Here’s my author blog, Google Plus, Facebook Page, and Twitter.

Kenra: One final thing. Azure’s Paranormal Romance, Devil Wants A China Doll, will soon be available. Her main character, Rone, is possessed by the demon of Lust and Rage. He manages to live life because he has a  psychic shield that prevents the demon from contaminating anyone he has contact with – important because the demon can make a person commit suicide by sex. Then he meets Sheeku, with big problems of her own. Sheeku bypasses Rone’s shields and lives to tell the tale. For a while, anyway.

Azure, will you share a little with us?

Azure: You know I will! This is a make-up scene, after Sheeku thinks Rone cheated on her with another woman.

I kissed her teary cheek softly.

Her hand was suddenly in my hair, sliding on my face.

Oh God, no, please… don’t do that.  Not now, I won’t stop…

            She slowly turned her face to me and no force in Heaven could move me away.  And there she was, staring up at me with glittery blue eyes, offering a chance to redeem myself.  Make it better, please do it.  Make it better.

            The burning stab in my chest combined with the fire in my groin.  I closed my eyes.  Shield was on tight, but what if this was the demon’s doing?

            She slowly sat up and my body matched her every move, magnetized, trapped in her pull.  So much need to fill, and pain to erase.  And she wanted me to do it.  The nice guy with the soul-eating devil.

            I could only watch as she put her hands on my shoulders and climbed into my lap, facing me.  My hands clamped on her waist as heat bolts shot through my groin.  I wrapped her in a hard embrace, wanting to feel her completely, no, prevent her from doing more, prevent me from ripping her clothes off.

I pressed my face to her chest, listening to the frantic life calling for me.  I embraced her closer, wanting her to be real.  Fuck, she was, she was so real.

In one push, the buried man inside me broke free.  I dug hungry fingers into firm muscle at the junction of her jeaned thighs.  Her breath drew in sharp and the sound struck the demon’s cell.  The demon struck back hard, and I strained my mind, solidifying the quiver in his cell while sliding my hands slowly and firmly up, feeling her body beneath the light t-shirt.

I wanted that satiny skin beneath it more than ever.  “Sheeku.” My fingertips pressed on their way back down.  Down, until I filled my hands with her perfect ass.  I squeezed hard and pressed her tight to my stomach.

            “Rone.”

The desire in her voice slammed me with terror.  I waited for her to call my demon’s name next.

She didn’t.

            My hands surged back up her body, the man in me knowing the time was short.  He hurried to take before being locked away, one hand pressing those perfectly shaped breasts into my chest, those bite-me nipples driving me to the point of orgasm. Hunger purred up my throat as I wrapped the base of her hair with trembling fingers.

            I pulled her head back and stared at her slender neck.  Her nails dug into my shoulder blades and desire raced on fiery currents through my veins.  I studied the creamy column.  She was life and I would die if I didn’t taste her.  Just once.

            I opened my mouth and leaned with a groan.  I licked the satin, slow and hard.  Salty… sweet… fucking delicious. “Sheeeeeku,” I breathed into her neck.

            Then it was there, bitter and biting into my gut.  Her fear.

“Stop, please,” she gasped.

Keep checking back here for updates on Azure’s work!

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Who IS This? Making Minor Characters Useful


Last week Nailing Down The Essentials continued the Character Development Series with Heroes. I’d planned to talk about the Heroine today, but home life has been incredibly busy (also the reason I’m so late getting this post up), and a post for less significant characters took far less thought than one for a main character. So, this week, it’s minor characterd.

Hotel clerk, bar tender, cab driver, friend of a friend. Anyone can be a minor character in your novel – it’s an equal opportunity career. The minor character is one who is only present for a short time in the story. They can make one appearance, or several, but the reader doesn’t see much of them. They often have a vital bit of information to pass on to the protagonists, and when they accomplish that, they can disappear. Some hang around a little longer to take care of less important tasks, but they don’t get a great deal of attention.

The temptation is to bring the character into the scene, let him do his job and leave, without bothering to do more than name him, if we even do that much. The trouble with that approach is, it can minimize the importance of the character’s job to the reader, causing her to miss something important.

A moment’s more work can add new layers of significance to whichever conflict the minor character is part of, and even introduce the potential for more conflict and tension. Suddenly, this one-off character can reveal some aspect of the protagonist’s (or antagonist’s) personality that we may not even have been aware of. The reader’s experience will be richer, the other characters more multidimensional, and the plot can become more complex.

How do we achieve this miracle? Simple. Give the character 2 or 3 unique traits, and reveal those traits judiciously. Put a couple minutes’ thought into the traits, and into how you can get the most mileage out of them.

In Blood Dragon, Kiellen’s mission is to find Jaden after her friends reported her missing. He goes to the motel her friends say she intended to check in to with the man she met at the nightclub. The clerk brings out facets of Kiellen’s personality the reader hasn’t seen yet.

The clerk is young, and insolent, which reveals Kiellen’s impatience in dealing with humans. His tension escalates as the clerk takes his sweet time answering questions. In a scant hint of foreshadowing, Kiellen begins to wonder why his emotions are surfacing with this mission. With his habit of emotional distance from his missions, dealing with anger and frustration while trying to keep a clear head is new, and frustrating as well, introducing a new source of inner conflict.

Of course, I could have revealed all that in other ways. But the clerk provided the opportunity, and to have wasted it would have simplified Kiellen. I could have used another trait for the clerk to either reveal more about Kiellen, or the plot, but I chose not to. Too much of even a good thing can ruin the story.

Give it a shot. Write a scene where your Hero and Heroine are out to dinner. Have the waiter flirt openly with the Heroine, while sneaking snide remarks. Using the Hero’s point-of-view, explore his reactions to this insignificant character. Does he realize he’s jealous? Try to hide that fact from the Heroine? How else does he react to his jealousy? How does the Heroine react? Perhaps this is where the Hero begins to realize he has feelings for the Heroine?

The key to using minor characters this way is striking the balance between giving them enough significance that the reader notices what they do, without making them seem more important than they are.

How do you use minor characters? Do you make them stand out, or just let them fade into the setting?

In The Spotlight! Author Robin Badillo

Please join me in welcoming our very first Spotlight Author, Robin Badillo! As a member of my blogging network, she took pity on me when I mentioned that I needed Spotlight guests. 😀 Robin is a multi-published Paranormal Romance author, and a very busy lady.

Robin Badillo

Check this out, and you’ll see why her Midnight Beckoning just hit my TBR list!

Ford Lenox, a natural born damphyr, waited three hundred years for the phenomenon of his birth to be repeated. Many had been conceived. Many had even been born. But only a few made it to their twenty-first birthday. And none shared the same requirements as he, to assume their rightful place at his side and become his queen.

Until now.

Lauren Neil was born three hundred years to the day after Ford’s birth, and it was no coincidence that he found her only days before her twenty-first birthday. Little did she know that the damphyr lurking beneath her human surface was about to be unleashed, prominently placing her on the throne to rule over damphyr and vampire alike.

Lauren’s demonic sire slash father, Drago, an incubus, straight from the pits of hell, has other plans.

Can Ford fulfill the prophecy and save Lauren and their kind? Or will a new species be created to rule the world?

Even a match made in heaven, may have to go through hell to survive!

Buy Midnight Beckoning!

Robin, I’m thrilled you could be with us today! And thanks for your patience while I worked out details and glitches, LOL. Let’s get started, shall we? Sooner or later, every writer gets this one, and I’m sure you have, as well. Where do your ideas come from?

My ideas come to me in many shapes and forms. Most of them start out as a conversation in my head. Yes, I am one of “those” people who hear voices, but more importantly, or disturbing, depending on how you look at it, I am one of those people who actually listen and even answer back.

Once the scene is set into motion, faces, names, descriptions, angst, dilemmas and every other aspect of writing a romance story somehow falls into place. Having the issue or problem up front and center gives me the foundation to build a story around. So far, it’s working well for me.

How long did you work on Midnight Beckoning?

Midnight Beckoning took about two months to complete, edit, re-edit and tighten up.

There is a long, drawn out process after the publisher gets their hands on it, but the initial timeframe is pretty typical for most of my books.

What makes Midnight Beckoning different from others in the same sub-genre?

I always say that Midnight Beckoning has everything, but the kitchen sink. This is the first time I’ve added other paranormal entities to a story other than vampires. In this story, the main characters are Damphyr. Midnight Beckoning also has vampires, incubi, folklore, legends, Biblical indications and possibly an angel or two. Yep, that just about covers everything, but the kitchen sink.

Do you have a person, perhaps an actor or model, etc., in mind when you picture your characters? How do you decide who the character will be – all the little bits and pieces that go into a person, not just appearance?

For most of my novels, I hunt and search hundreds of stock photos and actors and actresses until one jumps out at me. I generally have an idea in my head such as build, hair color and ethnicity, so when browsing the internet for that perfect man or woman, I sort of know what to look for. Other detailed characteristics like personality, accents or attitude, develop as the story unfolds. Each character has their own way of relaying their voice to me and I do my best to pay attention and get it right.

Who influenced or encouraged you to write, and when?

Two people have influenced me more than any other people in my life when it comes to writing. My daughter, Brittany, loved vampire novels and was crazy about Twilight. I loved the series, too and it proved to be a great way to bond with her over a similar interest. That’s not always easy when dealing with teenagers.

My first trilogy was more of a young adult genre and set me on the path to what I currently write now. The best part of it though, is that at age 16, my daughter is already writing her own book and I can’t wait to see what comes of it.

My best friend, Kim Esparza, was also a great influence because she would get so excited when I sent her a new chapter. Having her squeal over the phone about a direction I had taken a character and clamoring for more of the story, was amazing motivation. She also helped me get my foot through the door by introducing me to a published author she already knew. She’s not only been my dearest friend, she’s also been my inspiration to persevere and keep on keepin’ on!!

I am truly blessed.

You truly are blessed! We wish Brittany all the best with her writing, too. I wish we had more time today, but maybe you’ll join us again soon. Best of luck with your books, Robin!

You HAVE to stop by Robin's gorgeous blog!

Be sure to check out all Robin’s other books. You can also find Robin on Twitter, her Facebook Profile, and Fan Page. Her publisher is eXtasy Books.

A Hero To Die For

**Just a note before your regularly scheduled post. WordPress has offered the opportunity for bloggers to protest SOPA/PIPA, either by going dark today, or displaying the “Stop Censorship” Ribbon until the Jan 24th  Senate vote on SOPA/PIPA, or both. I decided to go with the ribbon, for various reasons.

As a writer, I am 100% against online piracy and theft of Intellectual Property. If I choose to give my work away, I will do so, but I don’t want anyone stealing it from me. But I do NOT believe this legislation is the way to go about protecting against those crimes. I urge EVERYONE in the US to contact their US Senators and tell them point-blank, “Do NOT support SOPA/PIPA if you want to SERVE another term!” Remind them they serve at the pleasure of the people, to represent the people.

If they do not accurately represent you, WORK against them in their next re-election bid. Don’t bitch about the poor job they do if you sit home on election day and justify your lack of fulfilling your civic responsibility by whining that the rich dude or the corporate dude or the insert-your-own-adjective dude will win no matter what. He absolutely WILL if you, and everyone else, continue to sit on your ass and do nothing about it. If you do the work, and he wins anyway, then at least you have the right to bitch. And next time, work harder!

OK. ‘Nuff said. Let’s get on with it.

A Hero To Die For

This piece originally appeared on GraveTells.com, Nov. 4, 2011. I wrote it as part of “The Hero Chronicles Discussions Series”. I’ve decided to run it again here, as part of my ongoing “Nailing Down the Essentials” Writer Wednesday series. It’s the second (here’s the first) post in a series on character development that I’ve been thinking about for a while. You can expect further entries on other types of characters, like heroines, villains, sidekicks, secondaries, and throw-aways/red-shirts.

So, here we go. (Oh, and despite serious temptation, I left out the NSFW pics that really wanted to be included. *sigh* The sacrifices I make for you.)

A Hero To Die For

You know him – the one that makes your heart pound at the thought of being near him, and not just because he’s so beautiful. Being the woman that wins his heart would satisfy you in a way nothing else could. He’s the Hero.

Impressive Cardboard?

Romance novel heroes tend to get a bad rap in the rest of the literary world. What’s that? …Oh, right. The rest of the world, literary or not. Many people believe heroes are just gorgeous faces with chiseled jaws, ripped bods with washboard abs. And don’t forget the “impressive manhood”.

Paranormal Romance heroes have an even worse rep. They’re supposed to be all-the-above, plus they’re either emo vampires, or savage werewolves, bad angels, or redeemable demons. Sci-Fi Romance has its misunderstood aliens. Historical Romance has the rakehell noblemen. Non-Romance readers probably associate all the subgenres with some stereotypical Hero or other.

The few who are so one-dimensional are the ones to get noticed, and perpetuate the misconceptions. No wonder non-Romance readers don’t want to get to know them. I wouldn’t either, if that were truly all they were. Fortunately, there’s sooo much more to a good Hero.

The Perfect Hero

But what makes a really good Hero? What makes him who he is? Can he be imperfect? Damaged? Not physically beautiful? That’s what we’re here to figure out.

A person’s appearance is often our first impression. Our, and the Heroine’s, first impression of the Hero is no different. What is it about him that catches her, and our, attention? I’ve read Heroes with phenomenal good looks, and just average appearances, and a few who were horribly scarred. But there’s something more, some indefinable quality, about all of them. Whatever it is, that quality makes them utterly beautiful to their Heroine.

A man’s actions can tell us a lot about him. There are good boys and bad boys, both in novels and in real life. The bad ones seem to be favored right now, just begging to put the past behind them and start all over with the right woman (though we all know that in real life, bad boys usually stay bad). But just because he’s bad, doesn’t mean he can’t have a good side. And even the good boys will do bad things if they have to, and since life is messy, they often do. Then we have Alphas, who take charge naturally, and Betas, who step up when it matters, and both can be sexy as hell.

But appearance and personality are just parts of the person, like so many pieces of the puzzle. What really brings a Hero to life is change. If he’s the same man at the end of the book as he was at the beginning, he’s just window dressing – a hot body to fill in certain empty spaces in the book. Not a real person.

At a bare minimum, he has to have a conflict, and work to resolve it. Ideally, he’ll be conflicted in several areas of his life, both internally and externally. Real people can fight the bad guys, and work on overcoming a phobia stemming from a childhood trauma, while seeing that their elderly mom has what she needs, and making bullies leave the neighbor’s kid alone, all while they’re coming to terms with the monster that lives in their heart, and so can a Hero. While he’s dealing with whatever trouble the author throws at him, he can also handle issues from a bad childhood, along with a jealous ex. Our Hero might not settle all his conflicts, but he will grow as a person because of them.

Romances from a couple of decades ago were full of Heroes who swooped in on their white horses and rescued the Heroine, whether she wanted to be saved or not. Today’s ideal Hero (with an action based plot) fights at his Heroine’s side to save both their asses, and is just as likely to need rescuing as she is. If there’s no bad guy, he’ll still fight, in whatever way necessary, to win his Heroine’s heart. He might start out being an arrogant a$$hat, but he’ll learn to respect his Heroine’s opinion and abilities, and to rely on her.

But what really tops it all off, turns a hot, exciting man into the perfect Hero? Love. Whether he’s a good boy, or bad, alpha, or beta, his love for his Heroine makes him perfect. The kind of love that makes him willing to give up his own life, or the very essence of who he is, for her. He will go through hell and back, and we hope for an ending that allows him to survive, win the heroine’s love, and spend the rest of his life loving her.

One of my favorites is JR Ward’s Vishous. What I like about him is that he comes with baggage of several varieties. He’s also not just a muscle bound warrior – he’s fearsomely intelligent and tech savvy. Definitely not a good boy, he’s a stone cold killer when necessary, and into some pretty hardcore BDSM, but he’ll do anything for the people he cares about. While he’s gorgeous, he’s not the traditional so-handsome-it-hurts-to-look-at-him beautiful. Doc Jane, his Heroine, is his reason for living. He might be a character in a novel, but he’s real.

Who Are Your Favorites?

Who are your favorites? Why? Do you prefer bad boys, or good boys? Alphas or Betas? Movie-star-handsome, or not? Describe your perfect Hero – not just how he looks, but those aspects of him that make him who he is.

Ring In The New Year With These Amazing Ebooks!

I’m promoting ebooks on the blog today!

If you’re an author…

You’re invited to add the blurb and buy link to your Romance (any sub-genre or heat level) or Urban Fantasy, in the comments below.

Promote by sharing the url ( http://wp.me/p1w1MU-9k ) to this post, with the hashtag #newyearsbookpromo.

Thanks to Skhye Moncrief, a friend from my blogging network, for the idea, and getting the ball rolling with some of the others from the network.

Come Again?

Last week, for Nailing Down The Essentials, we looked at the actual words the character speaks. This week is about how those words sound. As writers, we want so badly for our readers to hear our characters’ voices as we do, and we often struggle with how best to ensure they do, with mixed results.

The task becomes even more difficult if our characters speak in something other than standard English with a fairly mid-Western accent. If they have a regional accent, or worse, speak an obscure dialect, how can we be sure our readers hear that? And what about speech impediments? Most readers will be familiar with lisps or stutters, but what about other issues, perhaps from a tied tongue, or cleft pallate?

If we write dialogue exactly as our characters speak, we run the risk of the reader not being able to follow. Take Jack for example, from my own WIP, Blood Dragon. He speaks a regional dialect I grew up with – it’s steadily disappearing and was only spoken by a small population to begin with, and is difficult for non-native speakers to understand. This passage:

“Time is running out. They said twenty-four hours. It has been seven and we have nothing. Pain doesn’t do it for her, or she’d have bent a little by now.” 

If I had resorted to phonetic spelling, a technique newer writers may be tempted to fall back on, that passage would look like this:

“Time a’ru’n’ out. ‘ey sa’ twu’y-four ares. ‘s b’n se’n, ‘n ‘e ain’ go’ no’n. Pain ‘on’ do ‘t f’r ‘er, ‘r she’ ‘a’ ben’ a l’ul ‘fo’ now.”

Um. Srsly? You want to subject a reader to deciphering THAT?? Well, I don’t. If my reader has to slow down and try to reason out what my character is saying, my book is going to put a dent in their wall. So, how do I let my reader know he speaks something other than standard English?

First, while I was planning his character, I selected a few words to emphasize his dialect. Supposed became s’posed, probably became prob’ly, get became git. When Jack speaks those words, I use my modified phonetic spelling, but I don’t stop there.

I use his word choices, turns of phrase, and his grammar, to show the reader a little more of his actual speech. I make a couple of references to him being difficult to understand. “His habit of slurring words together and dropping entire syllables made his words nearly unintelligible.”  at one point, when he is speaking to someone unfamiliar with him. I have another character who knows him admonish him to speak correctly. Another frequently asks him to repeat himself. Here is my representation of him speaking that passage:

“Time’s running out. They said twenty-four hours. It’s been seven and we ain’t got nothing. Pain don’t do it for her, or she’d have bent a little by now.” 

My reader won’t hear him exactly as I do, but they’ll have an approximation.

Accents can be treated similarly. Most Americans are at least slightly familiar with a Southern drawl, or a Brooklyn accent. By simply telling the reader that the character has that accent, they get it. We can further show the accent with word choice, and one or two simple phonetic spellings.

My good friend and critique partner, Azure Boone, has a supporting character with a unique speech impediment, and she shows it brilliantly. Jeremy is also developmentally disabled, so she uses his phrasing, grammar, and word choices, to give the reader a sense of what he sounds like. Then she goes one step further, and uses just a couple of words exactly the way he pronounces them. Remember is mamember, and breech (he tells everyone he meets how he was born breech – a stellar technique for showing his personality) is pronounced bleech.

We can give our readers a pretty good representation of what our characters sound like if we use a variety of techniques, and trust the readers to be able to put it all together and interpret what we’re trying to show them.

Practice using all the tools I’ve covered in the last few weeks, formatting, dialog tags, action beats, unique character voice, and, finally, accents. Put them all together, add a little research and your own touch, and your dialog will become more realistic, and make your characters memorable.

This post concludes the dialog portion of Nailing Down the Essentials. Next week, I’ll move on to a different story element. Since I haven’t decided yet, if there’s an aspect of writing you’d like to see covered here, leave a comment. As I’ve said before, I’m no expert, but I’ve picked up a few things. And if it’s something I don’t know enough about to explore here, I’ll research it.

Have you found the dialog series helpful at all? Do you have other techniques to make your dialog stand out?